Chinese Object Study Workshops

The Program

Sophisticated visual analysis is a hallmark of art history and depends on skills acquired through the direct study of objects. These skills must be taught and practiced. Yet as graduate art history curricula have expanded to include training in methodology, historiography, and theory, training in object study has all but disappeared. The problem is exacerbated for students of Chinese art history, whose graduate curricula must also include language courses and related subjects such as religion, literature, and history.  

Chinese Object Study Workshops is a pilot program that provides graduate students in Chinese art history an immersive experience in the study of objects—in particular, those belonging to the great collections of Chinese art at the Metropolitan Museum of Art, the Nelson-Atkins Museum of Art, and the Freer Gallery of Art and Arthur M. Sackler Gallery (Freer|Sackler). The workshops will help students develop the skills necessary for working with objects, introduce them to conservation issues not readily encountered in typical graduate art history curricula, and familiarize them with important American museum collections.

Four weeklong (Monday–Friday) workshops are planned in total, with two scheduled for each of the next two academic years:

1. Freer|Sackler, June 3–7, 2013
2. Metropolitan Museum of Art, August 26–30, 2013
3. Nelson-Atkins Museum of Art, June 2014
4. Freer|Sackler, August 2014

Each workshop is intended for around 12 graduate students, to be selected from across North America through an open application process. These students will study and work with a team of faculty and curators from the host museum. The program will conclude with a two-day conference at the Freer|Sackler in November 2014 for all participating students and faculty. Exact dates for each workshop will be determined based on relevant academic calendars.

The program is funded by a generous grant from the Andrew W. Mellon Foundation and advised by a steering committee (Jonathan Hay, Institute of Fine Arts, NYU; Stephen Allee, Freer|Sackler; Patricia Berger, University of California, Berkeley; Maxwell Hearn, Metropolitan Museum of Art; Hui-shu Lee, University of California, Los Angeles; Colin Mackenzie, Nelson-Atkins Museum of Art; and Nancy Micklewright, Freer|Sackler). The Freer|Sackler is administering the program.

Workshop Descriptions

Chinese Object Study Workshops is a pilot program that provides graduate students in Chinese art history with an immersive experience in the study of objects—in particular, those belonging to the great collections of Chinese art at the Metropolitan Museum of Art, the Nelson-Atkins Museum of Art, and the Freer Gallery of Art and Arthur M. Sackler Gallery (Freer|Sackler). The workshops will help participants develop the skills necessary for working with objects, introduce them to conservation issues not readily encountered in typical graduate art history curricula, and familiarize them with important American museum collections.

The first workshop took place June 3–7, 2013, at the Freer|Sackler, and the second is scheduled for August 26–30, 2013, at the Metropolitan Museum of Art. The programs for these two workshops are described below. Participants in each workshop will spend the week engaged in intensive object study, discussion, and research with a small group of other graduate students, two faculty members, and curators and conservators from the host museum.

Participants will be required to complete assigned reading in advance of the workshop. Afterward, they will be expected to complete a potentially publishable research project based on an object or objects they encountered.

The program is open to students enrolled in a graduate art history program at a North American university and pursuing a doctoral degree in Chinese art. Applicants may be of any nationality and may apply for more than one workshop. Transportation, lodging, and some meal support will be provided.

Workshop One: Chinese Bronzes
Host: Freer|Sackler, Smithsonian Institution
Workshop Leaders:

• Jenny Fung-Suk So, Chinese University of Hong Kong
• Guolong Lai, University of Florida
• Keith Wilson, Freer|Sackler

Dates: Monday–Friday, June 3–7, 2013

Workshop description
The collection of ancient Chinese bronzes in the Freer and Sackler Galleries will be at the center of this workshop, designed to give students an understanding of different types of bronzes, methods of manufacture, stylistic evolution and iconography, and inscriptions. As time permits, the religious and social significance, role of antiquarianism, connoisseurship, and collecting history in the study of archaic bronzes will also be considered.

Emphasis will be placed on close observation of the bronze objects so that students will learn how to look and understand what they are seeing. Workshop participants will also be exposed to technical analysis of Chinese bronzes in the Freer|Sackler Department of Conservation and Scientific Research.

Workshop Two: Writing and Chinese Art
Host: Metropolitan Museum of Art
Workshop Leaders:

• Qianshen Bai, Boston University
• Peter Sturman, University of California, Santa Barbara
• Maxwell Hearn, Metropolitan Museum of Art

Dates: Monday–Friday, August 26–30, 2013

Workshop description
Drawn from the Metropolitan Museum of Art’s Chinese collections, a range of calligraphy and classical paintings that incorporate textual elements will introduce students to various approaches to Chinese writing. The workshop will cover topics such as reading different calligraphic forms (scripts), calligraphy as an art historical subject, and the role of writing in larger text-image programs. Through close visual analysis of the objects, students will be well equipped to read signatures, inscriptions, and seals, and to understand the important ways in which writing informs the aesthetic, historical, and expressive dimensions of objects. Emphasis will also be given to issues in connoisseurship, exploring materials, techniques, and questions of authenticity.

Object Study Workshops in Chinese Art: Call for Workshop Proposals

Art history faculty members are invited to propose topics for two object study workshops, part of a new series organized by the Freer|Sackler in partnership with the Metropolitan Museum of Art and the Nelson-Atkins Museum of Art. Funded by a generous grant from the Andrew W. Mellon Foundation, the series comprises four workshops—two in 2013 and two in 2014. Each one is designed for a group of about 12 graduate students in Chinese art history, selected through an open application process.

The first workshop took place in June 2013 at the Freer|Sackler, and the second is scheduled for August 2013 at the Metropolitan Museum of Art.

We are now issuing a call for proposals for the two 2014 workshops.

The 2014 workshops will be held at the Freer|Sackler and Nelson-Atkins. Each workshop will be organized by an art history faculty member in collaboration with a curator at the respective museum (F|S: Stephen Allee; Nelson-Atkins: Colin Mackenzie). Depending on the workshop requirements, it may be possible to include an additional outside expert (conservator or conservation scientist, for example) as finances permit.

Workshop leaders (faculty member and curator) are expected to create a weeklong program of object study, drawing on the strengths of the collection and involving other areas of the museum (conservation, library, archives), as their program demands. However, the bulk of the week should be spent in direct contact with the objects. Participating students are expected to complete a research project in conjunction with the workshop (guidelines to be provided by the steering committee).

The series concludes in November 2014 with a two-day conference at the Freer|Sackler for all participating students and faculty. Faculty leaders are expected to attend.

Interested faculty members should contact the relevant curator in order to begin developing their workshop proposals. Project Director Nancy Micklewright is also available to advise on project structure and logistics. Contact information is listed below.

Faculty workshop leaders each will receive a $3,000 honorarium, as well as funds for travel and lodging. An additional honorarium, travel, and lodging will be provided for the final conference.

Workshop Dates:
Each workshop will run for five days, Monday through Friday, between June and August 2014. Given academic schedules, the first two weeks of June (June 2–6 or 9–13) and the last two weeks of August (August 18–22 or 25–29) are preferable. The Nelson-Atkins workshop will take place in June and the Freer|Sackler workshop will be in August.

To Apply:

A proposal (maximum seven pages in length) describing the proposed curriculum should include the following:

• A description of the workshop subject matter and teaching strategies to be employed
• The objects to be studied
• Other museum resources to be used during the workshop
• Daily schedule for the week (a schedule template can be provided upon request)
• Reading list for students to complete before the workshop begins
• Specific responsibilities of the faculty member and curator in terms of teaching time and other duties
• The role of an additional expert, if one is requested
• First and second choice for dates (according to guidelines listed above)

Please also include a CV of the faculty member and any outside expert.

The deadline for 2014 workshop proposals is August 31, 2013.

Workshop proposals should be sent via email to Nancy Micklewright. After an initial evaluation by the respective museum, proposals will be reviewed by the project steering committee (Jonathan Hay, Institute of Fine Arts, NYU; Stephen Allee, F|S; Patricia Berger, University of California, Berkeley; Maxwell Hearn, Metropolitan Museum of Art; Hui-shu Lee, University of California, Los Angeles; Colin Mackenzie, Nelson-Atkins Museum of Art; and Nancy Micklewright, F|S), with decisions announced by mid-October.

Contacts
Freer|Sackler
Stephen Allee, associate curator for Chinese painting and calligraphy: alleest@si.edu
Nancy Micklewright, head of scholarly programs and publications: micklewrightn@si.edu

Nelson-Atkins Museum of Art
Colin Mackenzie, senior curator of Chinese art at Nelson-Atkins: cmackenzie@nelson-atkins.org

How to Apply

The application deadline for 2013 workshops has passed. Application instructions for the 2014 workshops will be posted in October. Please check back then.
Applications must be submitted in English and include:

• Application cover sheet
• Curriculum vitae
• Graduate school transcript (unofficial is acceptable)
• 500-word statement discussing why the workshop is of interest; relevant previous research, classroom work, or teaching experience; and the impact the workshop will have on future research and professional development
• One letter of recommendation from a professor of Chinese art history in a sealed envelope signed across the flap. The letter of recommendation may be included with the application or sent directly from the reviewer. Email is also acceptable if the letter is sent directly from the reviewer. In either case, it is the responsibility of the applicant to ensure that the letter of recommendation arrives by the application deadline.

If applying for both workshops, please submit two separate applications. The same referee may submit a letter of recommendation for both applications.

Email complete applications to wengk@si.edu.

Mailing Address
Object Study Workshop
Freer Gallery of Art and Arthur M. Sackler Gallery
Smithsonian Institution
MRC 707, P.O. Box 37012
Washington, DC 20013-7012

Address for Express Delivery Services
Object Study Workshop
Freer Gallery of Art and Arthur M. Sackler Gallery
Smithsonian Institution
1050 Independence Avenue SW
Washington, DC 20560
TEL 202.633.4880

Contact information
Please direct questions to wengk@si.edu.

Museum Partners and their Collections

Freer|Sackler
Metropolitan Museum of Art
Nelson-Atkins Museum of Art

Contact Information

Curators
Stephen Allee, Freer|Sackler, alleest@si.edu
Maxwell Hearn, Metropolitan Museum of Art, mike.hearn@metmuseum.org
Colin Mackenzie, Nelson-Atkins Museum of Art, cmackenzie@nelson-atkins.org

Academics
Jonathan Hay, Institute of Fine Arts, NYU, jh3@nyu.edu
Patricia Berger, University of California, Berkeley, pberger@berkeley.edu
Hui-shu Lee, University of California, Los Angeles, hslee@humnet.ucla.edu

Project director
Nancy Micklewright, Freer|Sackler, micklewrightn@si.edu

Project administrator
Kailin Weng, Freer|Sackler, wengk@si.edu