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Stephen Allee | Louise Cort | Debra Diamond | Massumeh Farhad | Lee Glazer | Nancy Micklewright | Alexander Nagel
Julian Raby | Zeynep Simavi | Mary Slusser | James Ulak | Tom Vick | Daisy Yiyou Wang | J. Keith Wilson | Ann Yonemura


Stephen Allee

Allee, Stephen, Debra Diamond, Carol Huh, and Ann Yonemura. “Arthur M. Sackler Gallery: Exhibition Highlights, 1987–2012.” Orientations 43, no. 7 (2012): 76–84.

Chang, Joseph, Qianshen Bai, and Stephen D. Allee. In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren from the Estate of Wang Fangyu and Sum Wai. Washington, DC: Freer Gallery of Art, Smithsonian Institution, in association with Weatherhill, Inc., 2003.

Chang, Joseph, Thomas Lawton, and Stephen D. Allee. Brushing the Past: Later Chinese Calligraphy from the Gift of Robert Hatfield Ellsworth. Washington, DC: Freer Gallery of Art, 2000.

Allee, Stephen D., and Joseph Chang. “Calligraphy and Personal Seals of Xie Zhiliu.” In Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery, edited by Thomas Lawton and Thomas W. Lentz, 256–67. Washington, DC: Smithsonian Institution, 1998.

Allee, Stephen D., and Joseph Chang. “Ellsworth Collection of Later Chinese Calligraphy.” In Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery, edited by Thomas Lawton and Thomas W. Lentz, 244–51. Washington, DC: Smithsonian Institution, 1998.

Allee, Stephen D., and Joseph Chang. “Fifteen Paintings by Qi Baishi.” In Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery, edited by Thomas Lawton and Thomas W. Lentz, 256–67. Washington, DC: Smithsonian Institution, 1998.

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Louise Cort

Cort, Louise A. “A Chinese Green Jar in Japan: Source of a New Color Aesthetic in the Momoyama Period.” Impressions 30 (2009): 32–41.

Cort, Louise A. “A Tosa Potter Looks at Kyoto Ceramics.” Research Report of the Otemae Research Center of History 7 (2009): 7–26.

Cort, Louise A. “Collecting Against the Grain: Unexpected Japanese Ceramics in the Collection of the Walters Art Museum.” Journal of the Walters Art Museum 64/65 (2009): 177–98.

Cort, Louise A. “Cranes and Clouds: The Korean Art of Ceramic Inlay Arts.” Arts of Asia 42, no. 2 (2012): 110–23.

Cort, Louise A. “Creating Chigusa.” Impressions 32 (2011): 134–43.

Cort, Louise A. “Harry Packard’s Japanese Pots.” Impressions 32 (2011): 114–27.

Cort, Louise A. “The Hauge Collection.” Orientations 43, no. 7 (2012): 60–61.

Cort, Louise A. “Looking at White Dew.” Studio Potter 40, no. 1 (2012): 16–24.

Cort, Louise A. “Nihon e Toraishita Aru Chugoku Dorokuyu tsubo—Momoyama Jidai ni Hajimaru Aratana Shikisai Bigaku no Gensen.” Bijutsu Forum 21 20 (2009): 51–55.

Cort, Louise A. “Mrs. Gardner’s ‘Set of Tea Things’: A Vehicle for Friendship, Power, and Aesthetic Instruction.” In Journeys East: Isabella Steward Gardner and Asia, edited by Noriko Murai,384–98. Boston: Isabella Stewart Gardner Museum, 2009.

Cort, Louise A., George Williams, and David Rehfuss. Ceramics in Mainland Southeast Asia: Collections in the Freer Gallery of Art and Arthur M. Sackler Gallery. 2008.

Cort, Louise A., and Leedom Lefferts. “Gender and Ethnicity in Contemporary Village-Based Ceramics Production in Thailand.” In Humanity and Ceramics: From Past to Present, edited by Korakot Boonlop, 153–200. Bangkok: Princess Maha Chakri Sirindhorn Anthropology Research Centre, 2008.

Cort, Louise A., and Leedom Lefferts. “Pottery Production in Sipsong Pan Na—a View from the South.” Minzu Xuebao/Yunnan Nationalities University Journal of Ethnic Studies 9 (2012): 191–209.

Cort, Louise A., and Leedom Lefferts. “Pots and How They are Made in Mainland Southeast Asia.” Transactions of the Oriental Ceramics Society 75 (2012): 1–15.

Cort, Louise A., and Leedom Lefferts. “Water and Fire—Farming and Ceramics—on Phnom Kulen: Putting People into Angkor.” In Interpreting Southeast Asia’s Past: Monument, Image and Text, edited by Elisabeth A. Bacus, Ian C. Glover, and Peter D. Sharrock, 286–95.Singapore: National University of Singapore Press, 2008.

Cort, Louise A., and Paul Jett, eds. Gods of Angkor: Bronzes from the National Museum of Cambodia Washington, DC: Arthur M. Sackler Gallery, 2010.

Cort, Louise A., and Purna Chandra Mishra. “Potter Servants of Jagannatha: Conflicting Images of Status and Power.” In Imaging Orissa, vol. 2, edited by Herman Kulke, 412–14. Ashram Patna, Orissa: Prafulla Pathagar Publications, 2013.

Cort, Louise A., and Purna Chandra Mishra. Temple Potters of Puri. Ahmedebad: Mapin, 2012.

Lefferts, Leedom, and Louise Allison Cort. “Where did the Oy of Baan Choumphouy Get Their Pot-Making From?” In Multidisciplinary Perspectives on Lao Studies, edited by K.L. Adams and T.J. Hudiak, 165–81. Tempe, AZ: Southeast Asia Council, Center for Asian Research, Arizona, 2010.

North, Halsey, Alice North, and Louise Allison Cort. “A Conversation with Fukami Sueharu.” In Fukami: Purity of Form, edited by Andreas Marks, 40–51. Hanford, CA: The Clark Center for Japanese Art and Culture, 2011.

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Debra Diamond

Allee, Stephen, Debra Diamond, Carol Huh, and Ann Yonemura. “Arthur M. Sackler Gallery: Exhibition Highlights, 1987–2012.” Orientations 43, no. 7 (2012): 76–84.

Diamond, Debra. “Bridging Past and Present: Contemporary Art in the Arthur M. Sackler Gallery.” Arts of Asia 36 (2006).

Diamond, Debra. “By the Grace of Jalandranath: Politics and Painting in Jodhpur.” In Holy Madness: Portraits of Tantric Siddhas, edited by Robert N. Linrothe, 144–55. New York: Rubin Museum of Art and Serindia Publications, 2006.

Diamond, Debra. “The Cartography of Power.” In Arts of Mughal India: Studies in Honour of Robert Skelton. India: Mapin Publishing, 2004.

Diamond, Debra. “Facing East: Portraits from the Freer and Sackler Galleries.” Arts of Asia 36 (2006).

Diamond, Debra. “South Asian Art.” Arts of Asia 36 (2006).

Diamond, Debra, Catherine Glynn, and Karni Singh Jasol. Garden and Cosmos: The Royal Paintings of Jodhpur. Washington, DC: Arthur M. Sackler Gallery, 2008.

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Massumeh Farhad

Farhad, Massumeh. “The Ancient World.” In Ideals of Beauty: Asian and American Art in the Freer and Sackler Galleries, 38–49. New York: Thames & Hudson, 2010.

Farhad, Massumeh. “Biblical Manuscripts.” In Ideals of Beauty: Asian and American Art in the Freer and Sackler Galleries, 50–55. New York: Thames & Hudson, 2010.

Farhad, Massumeh. “The Henri Vever Collection.” Orientations 43, no. 7 (2012).

Farhad, Massumeh. “Isfahan XI. School of Painting and Calligraphy.” In Encyclopaedia Iranica, 40–43. Boston: Routledge & Kegan Paul, 2007.

Farhad, Massumeh. “Islamic Art.” In Ideals of Beauty: Asian and American Art in the Freer and Sackler Galleries, 118–37. New York: Thames & Hudson, 2010.

Farhad, Massumeh M. Falnama: The Book of Omens. Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution, 2009.

Farhad, Massumeh, Sussan Babaie, Kathryn Babayan, and Ina Baghdiantz-McCabe. Slaves of the Shah: New Elites of Safavid Iran. London: I.B. Tauris, 2004.

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Lee Glazer

Glazer, Lee. “Abbott Handerson Thayer, Mount Monadnock.” In Corcoran Gallery of Art: American Paintings to 1945, edited by Sarah Cash, Emily Dana Shapiro, Lisa Maria Strong, and Jennifer Carson. Washington, DC: Corcoran Gallery of Art, 2011.

Glazer, Lee. “American Art.” In Ideals of Beauty: Asian and American Art in the Freer and Sackler Galleries, 16–37. New York: Thames and Hudson, 2009.

Glazer, Lee. “Edmund Tarbell, Josephine and Mercie.” In Corcoran Gallery of Art: American Paintings to 1945, edited by Sarah Cash, Emily Dana Shapiro, Lisa Maria Strong, and Jennifer Carson. Washington, DC: Corcoran Gallery of Art, 2011.

Glazer, Lee. “Lessons in Likeness: Portrait Painters in the Kentucky and Ohio River Valleys, 1802–1920.” Journal of Southern History 78, no. 4 (2012).

Glazer, Lee. The Peacock Room Comes to America. Washington, DC: Freer Gallery of Art, Smithsonian Institution, 2012.

Glazer, Lee. “Stories of the Beautiful: Narratives of East–West Interchange at the Freer Gallery of Art and Arthur M. Sackler Gallery.” In East-West Interchanges in American Art: A Long and Tumultuous Relationship, edited by Cynthia Mills, Lee Glazer, and Amelia A. Goerlitz, 216–30. Washington, DC: Smithsonian Institution Scholarly Press, 2012.

Glazer, Lee. “Thomas Wilmer Dewing: The Song.” In Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, edited by Sharon Corwin, Elizabeth Finch, Lauren Lessing, and Joseph N. Newland. Waterville, Maine: Colby College Museum of Art, 2009.

Glazer, Lee. “William MacGregor Paxton, The Housemaid.” In Corcoran Gallery of Art: American Paintings to 1945, edited by Sarah Cash, Emily Dana Shapiro, Lisa Maria Strong, and Jennifer Carson. Washington, DC: Corcoran Gallery of Art, 2011.

Glazer, Lee, ed. James McNeill Whistler in Context: Essays from the Whistler Centenary Symposium, University of Glasgow, 2003. Washington, DC: Freer Gallery of Art, Smithsonian Institution, 2008.

Mills, Cynthia, Lee Glazer, and Amelia A. Goerlitz, eds. East-West Interchanges in American Art: a long and tumultuous relationship. Washington, DC: Smithsonian Institution Scholarly Press, 2012.

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Nancy Micklewright

Lewis, Reina, and Nancy Micklewright. Gender, Modernity and Library: Middle Eastern and Western Women’s Writings: A Critical Sourcebook. New York: I.B. Tauris, 2006.

Micklewright, Nancy. “An Ottoman Portrait.” International Journal of Middle East Studies 40, no. 3 (2009), 372–73.

Micklewright, Nancy. “Harem/House/Set: Domestic Interiors in Photography from the Late Ottoman World.” In Harem Histories: Envisioning Places and Spaces, edited by Marilyn Booth, 239–260. Durham, London: Duke University Press, 2010.

Micklewright, Nancy. In the Service of Empire: Ottoman Official Photography. http://si-pddr.si.edu/dspace/handle/10088/17135. 2010.

Micklewright, Nancy. “Orientalism and Photography.” In The Poetics and Politics of Place: Ottoman Istanbul and British Orientalism, edited by Zeynep Inankur, Reina Lewis, and Mary Roberts, 99–114. Istanbul: Pera Museum Publication, 2011.

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Alexander Nagel

Nagel, Alexander. “Bleu et Or: Couleurs de Grand Roi.” Pour la Science 406 (2011): 32–37.

Nagel, Alexander. “Des Königs Farben: Gold und Blau.” Spektrum der Wissenschaft 4 (2011): 32–37.

Nagel, Alexander. “Encountering the World of Aphrodite on the Western Greek Mainland.” In Brill’s Companion to Aphrodite, edited by Amy C. Smith and Sadie Pickup, 235–50. Leiden: Brill, 2010.

Nagel, Alexander. “Enduring Legacies from the Caspian Sea: Ancient Iranian Ceramics.” Orientations 43, no. 7 (2012): 6–66.

Nagel, Alexander. “Ernst Herzfeld.” In Teheran 50. Eine Ausstellung im Museum fuer Islamische Kunst in Berlin, edited by B. Helwing and P. Rahemipour, 42–65. Mainz: Van Zabern, 2012.

Nagel, Alexander. “Farbe in Persepolis.” In Teheran 50. Eine Ausstellung im Museum fuer Islamische Kunst in Berlin, edited by B. Helwing and P Rahemipour, 171–73. Mainz: Van Zabern, 2012.

Nagel, Alexander. “Kuh-e Kwaja.” In Teheran 50. Eine Ausstellung im Museum fuer Islamische Kunst in Berlin, edited by B. Helwing and P Rahemipour, 42–65. Mainz: Van Zabern, 2012.

Nagel, Alexander. “The Sasanians.” In Byzantium and Islam: Age of Transition 7th–9th century, edited by Helen Evans and Brandie Radcliff, 27. New York: Metropolitan Museum of Art, 2012.

Nagel, Alexander. “Searching for the Gods at Ancient Akarnania: New Evidence from a Ritual Deposit near Stratos, Greece.” Anodos 6–7 (2009): 303–12.

Nagel, Alexander, and Hassan Rahsaz. “Colouring the Dead: New Investigations on the History and the Polychrome Appearance of the Tomb of Darius I at Naqsh-e Rostam, Fars.” In Death and Burial in Arabia and Beyond: Multidisciplinary Perspective, edited by Lloyd R. Weekes, 289–98. Oxford: Archaeopress, 2010.

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Julian Raby

Raby, Julian. “The Principle of Parsimony and the Problem of the ‘Mosul School of Metalwork’.” In Metalwork and Material Culture in the Islamic World: Art, Craft and Text, edited by Venetia Porter and Mariam Rosser-Owen, 11–85. London: I.B. Tauris, 2012.

Krahl, Regina, John Guy, J. Keith Wilson, and Julian Raby, eds. Shipwrecked: Tang Treasures and Monsoon Winds. Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution, 2010.

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Zeynep Simavi

Simavi, Zeynep. “Mehmet Aga-Oglu and the formation of the field of Islamic art in the United States.” Journal of Art Historiography 6 (2012): 1–25.

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Mary Slusser

Slusser, Mary S., and Paul Jett. The Antiquity of Nepalese Wood Sculpture: A Reassessment. Seattle and Washington, DC: University of Washington Press in association with the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, 2010.

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James Ulak

Ulak, James. “A Decade of Remarkable Growth: Acquisitions by the Freer and Sackler Galleries.” Apollo: The International Magazine for Collectors (November 2007): 36–43.

Ulak, James. “Battling Blocks: Representations of the War in Woodblock Art.” In The Russo-Japanese War in Global Perspective: World War Zero Volume 1, 385–94. Boston: Brill Publishing, 2005.

Ulak, James. “Masters of Mercy: Kano Kazunobu and the Buddha’s Amazing Disciples Resurrecting and Understanding a Major Buddhist Landmark of the Late Edo Period.” Orientations 43, no. 2 (2012): 108–16.

Ulak, James. “The Robert O. Muller Collection.” Orientations 43, no. 7 (2012): 62–63.

Ulak, James. “Robert O. Muller: The Practical Romantic.” In Beautiful Shin-hanga-Revitalization of Ukiyo-e. Tokyo: Edo Tokyo Museum of Art, 2009.

Ulak, J. T. “The Alchemy of Selection: Lee and the Japanese Collection.” Orientations 40, no. 5 (2009): 41–47.

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Tom Vick

Vick, Tom. “Cinema as a Window on Contemporary Korea.” Education About Asia 14, no. 3 (2009): 37–40.

Vick, Tom. “The Dream Factory: India’s Bollywood Cinema.” Asian Geographic 57, no. 7 (2009): 58–69.

Vick, Tom. “Repertory Film Programming: A Critical Symposium.” Cineaste 35, no. 2 (2010).

Vick, Tom. “Washington, Pusan, Rotterdam, Udine and Back: Programming East Asian Films for American Audiences.” In Film Festival Yearbook 3: Film Festivals and East Asia, edited by Dina Iordanova and Ruby Cheung, 90–98. St. Andrews: St. Andrews Film Studies, 2011.

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Daisy Yiyou Wang

Wang, Daisy Y. “C. T. Loo and the Chinese Art Collection at the Freer, 1915–1951.” Arts of Asia 40, no. 5 (2011): 104–16.

Wang, Daisy Y. Chinese Abstract Slow Art. Eindhoven, Netherlands: Lecturis, 2011.

Wang, Daisy Y. “Chronology.” In The Third Mind: American Artists Contemplate Asia, 1860 to 1989, 378–97. New York: Solomon R. Guggenheim Museum, 2009.

Wang, Daisy Y. “Papa’s Pagoda in Paris: The Gift of the C. T. Loo Family Photographs to the Freer and Sackler Galleries.” Orientations 44, no. 2 (2013): 135–44.

Wang, Daisy Y. “Rediscovering the Chinese Textile Collection in the Freer Gallery of Art.” Arts of Asia 43, no. 2 (2013): 133–45.

Wang, Daisy Y. “Seven Sages of the Bamboo Grove in Japan and Beyond.” In Yang Fudong: Seven Intellectuals in a Bamboo Forest/Seven Sages of the Bamboo Grove, edited by Melissa Chiu, Tezuka Miwako, and Yiyou Wang, 28–33. New York: Asia Society Museum, 2009.

Wang, Daisy Yiyou. “Art Dealers, the Rockefellers and the Network of Chinese Art in America.” The Rockefeller Archive Center Research Report (April 2008).

Wang, Daisy Yiyou. Catalogue entry, Chronology, and Glossary. In Pilgrimage and Buddhist Art, 94–95, 180–89. New York: Asia Society and Yale University Press, 2010.

Wang, Daisy Yiyou. “Many Journeys.” Asia Society News and Events (Summer 2009): 5.

Wang, Daisy Yiyou. “The International Art Dealer C.T. Loo and the History of Collecting Chinese Art in America.” In Proceedings of the World Chinese Collectors Convention, 116–35. Shanghai: World Chinese Collectors Convention, 2008.

Wilson, J. K., and Daisy Yiyou Wang. “The Early-Twentieth-Century ‘Discovery’ of the Xiangtangshan Caves.” In Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, edited by Katherine R. Tsiang, J. Keith Wilson, and Richard A. Born, 104–29. Chicago: University of Chicago Press, 2010.

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J. Keith Wilson

Wilson, J. K. “Chinese Art Now at the Freer and Sackler.” Arts of Asia 41, no. 5 (2011): 100–103.

Wilson, J. K. “Then and Now: Displaying Chinese Art at the Freer Gallery.” Arts of Asia 41, no. 5 (2011): 135–47.

Wilson, Keith. “The Singer Collection.” Orientations 43, no. 7 (2012): 58–59.

Wilson, J. K., and Michael Flecker. “Dating the Belitung Shipwreck.” In Shipwrecked: Tang Treasures and Monsoon Winds, edited by Regina Krahl, John Guy, J. Keith Wilson, and Julian Raby, 35–37. Washington, DC: Arthur M. Sackler Gallery, Smithsonian Books, 2010.

Wilson, J. K., and Daisy Yiyou Wang. “The Early-Twentieth-Century ‘Discovery’ of the Xiangtangshan Caves.” In Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, edited by Katherine R. Tsiang, J. Keith Wilson, and Richard A. Born, 104–29. Chicago: University of Chicago Press, 2010.

Krahl, Regina, John Guy, J. Keith Wilson, and Julian Raby. Shipwrecked: Tang Treasures and Monsoon Winds. Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution, 2010.

Tsiang, Katherine R., J. Keith Wilson, and Richard A. Born. Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan. Chicago: University of Chicago Press, 2010.

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Ann Yonemura

Allee, Stephen, Debra Diamond, Carol Huh, and Ann Yonemura. “Arthur M. Sackler Gallery: Exhibition Highlights, 1987–2012.” Orientations 43, no. 7 (2012): 76–84.

Yonemura, Ann. “Bukan, Kanzan, and Jittoku.” In Awakenings: Zen Figure Painting in Medieval Japan, edited by Gregory Levine and Yukio Lippit. New York: Japan Society, 2007.

Yonemura, Ann. “Hokusai.” Arts of Asia 36, no. 1 (2006): 74–77.

Yonemura, Ann. “Hokusai: Thirty-Six Views of Mount Fuji.” Orientations 43, no. 2 (2012): 117–23.

Yonemura, Ann. Hokusai/Katsushika, Hokusai, 1760–1849. Washington, DC: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, 2006.

Yonemura, Ann. “Japanese Art.” Arts of Asia 36, no. 1 (2006): 97–101.

Yonemura, Ann. “The Arthur M. Sackler Gallery—Changing Directions.” Arts of Asia 36, no. 1 (2006).

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