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Key Artifacts from ISIS-endangered Palmyra, Syria, On View at the Freer and Sackler Galleries


3-D Scan of Rare Funerary Bust Will Be Available to Explore and Download



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Allison Peck (202) 633-0447; pressasia@si.edu

  

Media website:
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@FreerSackler

  

June 8, 2015

An exquisitely sculpted ancient bust of a woman from Palmyra, Syria, is returned to view for the first time since 2006 at the Smithsonian’s Freer Gallery of Art and Arthur M. Sackler Gallery. Named “Haliphat,” it will be accompanied by images of 18th-century engravings and 19th-century photographs of ancient Palmyra selected from the Freer|Sackler Libraries and Archives. A newly created 3-D scan of the bust will also be released for viewing and download at a later date as part of the Smithsonian X 3D Collection.

Palmyra, a UNESCO World Heritage site, is one of the most important archaeological sites in the Near East, and one of the best preserved city-states in the world.

“In the face of current tragic upheavals in Iraq and Syria, every stone, arch and carved relief plays a greater historical and cultural role than it has in the past,” said Julian Raby, the Dame Jillian Sackler Director of the Arthur M. Sackler Gallery and Freer Gallery of Art. “Like the relief of Haliphat, each stone can remind a people of its past, and fashion identity both individually and collectively.”

Once lush, wealthy and cosmopolitan, Palmyra (“the city of palms”) was an oasis in the desert at the hub of trade between the Mediterranean, Mesopotamia, ancient Iran and Southeast Asia. Two millennia ago, its inhabitants constructed monumental colonnades, temples, a theater and elaborate tomb complexes, a significant amount of which survives today

Dating from 231 AD, the limestone funerary relief sculpture depicts an elegant, bejeweled figure with both Roman and Aramaic artistic influences, reinforcing Palmyra’s status between the Eastern and Western worlds.

The accompanying photographs were taken 1867–1876 by prolific photographer Fèlix Bonfils and provide the most complete visual record of Palmyra from the 19th century.

The engraving images are from Robert Woods’ 1753 The Ruins of Palmyra, a publication that inspired the popular neoclassical architecture style in Britain and North America. Its image of an “Eagle Decorating an Ancient Roman Temple” was the model for the image on the seal of the United States, and its depictions of Palmyra’s coffered ceilings shaped the ceiling of the north entrance of the Freer Gallery of Art.

The display will be on view through December 14, 2015.

The Freer Gallery of Art, which opened in 1923, and the adjacent Arthur M. Sackler Gallery, founded 1987, are the Smithsonian’s museums of Asian art and together contain one of the world’s most important collections of Asian and American art. The galleries are located on the National Mall in Washington, D.C. Admission is free. For more information, visit www.asia.si.edu.

Note to editors: High-resolution images for publication of the bust and photographs are available; email pressasia@si.edu for access.

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The Freer is closed for renovation and reopening in 2017. The Sackler remains open, with a full lineup of exhibitions and events both in the museum and around DC.