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Arts of Japan: Edo Aviary and Poetic License

February 2–August 4, 2013
Freer Gallery of Art, gallery 6 and 7

Continuing a celebration of important Freer holdings in Edo period art, complementary but distinct installations examine two themes of these works. Edo Aviary (gallery 6) traces how depictions of birds, long part of the Japanese visual repertoire, were influenced by natural history painting in the Edo period. Great attention was given to physical accuracy, but the tendency to give birds anthropomorphic qualities also came to the fore. Poetic License: Making Old Words New (gallery 7) shows how the interpretation of classical Japanese and Chinese literary traditions, previously the domain of an educated aristocracy, was absorbed into the merchant and artisan classes during the Edo period, producing energetic reconsiderations of time-honored themes.

Group of Ceramics

Rooster, Hen, and Chicks
late 18th, early 19th c; Kishi Ganku , (Japanese, 1749-1838); Edo period. Ink and color on silk. W: 69.1 cm. Japan. Gift of Mr. James Freeman F2006.2a-d

We are excited to reopen the Freer in October 2017, following a renovation to allow us to better present our art and serve our visitors. The Sackler remains open, with a full lineup of exhibitions and events both in the museum and around DC. For your safety, all visitors will have their bags checked. See the complete list of restricted items and bag sizes.